List

#1 NEW YORK TIMES BESTSELLER • “The master of the legal thriller” (Associated Press) teams up with “the godfather of the innocence movement” (Texas Monthly) to share ten harrowing true stories of wrongful convictions.

“Each of these stories is told with astonishing power.”—David Grann, author of Killers of the Flower Moon

“Gripping . . . compelling . . . What makes [Framed] important reading isn’t the shock value advertised in the title. It’s the exposure of the infuriating, recurrent factors involved in so many unrighteous convictions.”—The Washington Post

John Grisham is known worldwide for his bestselling novels, but it’s his real-life passion for justice that led to his work with Jim McCloskey of Centurion Ministries, the first organization dedicated to exonerating innocent people who have been wrongly convicted. Together they offer an inside look at the many injustices in our criminal justice system.

A fundamental principle of our legal system is a presumption of innocence, but once someone has been found guilty, there is very little room to prove doubt. These ten true stories shed light on Americans who were innocent but found guilty and forced to sacrifice friends, families, and decades of their lives to prison while the guilty parties remained free. In each of the stories, John Grisham and Jim McCloskey recount the dramatic hard-fought battles for exoneration. They take a close look at what leads to wrongful convictions in the first place and the racism, misconduct, flawed testimony, and corruption in the court system that can make them so hard to reverse.

Impeccably researched and told with page-turning suspense as only John Grisham can deliver, Framed is the story of winning freedom when the battle already seems lost and the deck is stacked against you.

THE INSTANT #1 NATIONAL BESTSELLER • An exquisitely moving story about grief, love and family, from the global phenomenon Sally Rooney.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common.

Peter is a Dublin lawyer in his thirties – successful, competent and apparently unassailable. But in the wake of their father’s death, he’s medicating himself to sleep and struggling to manage his relationships with two very different women – his enduring first love, Sylvia, and Naomi, a college student for whom life is one long joke.

Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined.

For two grieving brothers and the people they love, this is a new interlude – a period of desire, despair and possibility – a chance to find out how much one life might hold inside itself without breaking.

A New York Times Bestseller • A New York Times Best Thriller of the Year (So Far) • An NPR Favorite Fiction Read of 2024 • A Parade Best Book of 2024 So Far • A New York Times Best Crime Novel of the Year (So Far) • Named a Best Beach Read of 2024 by Entertainment Tonight and Harper’s Bazaar 

“Hailed as the queen of Irish crime fiction, French spins a taut tale of retribution, sacrifice, and family.”—TIME

From the New York Times bestselling author of The Searcher and “one of the greatest crime novelists writing today” (Vox), a spellbinding new novel set in the Irish countryside.

It’s a blazing summer when two men arrive in a small village in the West of Ireland. One of them is coming home. Both of them are coming to get rich. One of them is coming to die.

Cal Hooper took early retirement from Chicago PD and moved to rural Ireland looking for peace. He’s found it, more or less: he’s built a relationship with a local woman, Lena, and he’s gradually turning Trey Reddy from a half-feral teenager into a good kid going good places. But then Trey’s long-absent father reappears, bringing along an English millionaire and a scheme to find gold in the townland, and suddenly everything the three of them have been building is under threat. Cal and Lena are both ready to do whatever it takes to protect Trey, but Trey doesn’t want protecting. What she wants is revenge.

From the writer who is “in a class by herself,” (The New York Times), a nuanced, atmospheric tale that explores what we’ll do for our loved ones, what we’ll do for revenge, and what we sacrifice when the two collide.

From the Pulitzer-prize winning, New York Times bestselling author, an alarming account of how autocracies work together to undermine the democratic world, and how we should organize to defeat them

We think we know what an autocratic state looks like: There is an all-powerful leader at the top. He controls the police. The police threaten the people with violence. There are evil collaborators, and maybe some brave dissidents.

But in the 21st century, that bears little resemblance to reality. Nowadays, autocracies are underpinned not by one dictator, but by sophisticated networks composed of kleptocratic financial structures, surveillance technologies, and professional propagandists, all of which operate across multiple regimes, from China to Russia to Iran. Corrupt companies in one country do business with corrupt companies in another. The police in one country can arm and train the police in another, and propagandists share resources and themes, pounding home the same messages about the weakness of democracy and the evil of America.

International condemnation and economic sanctions cannot move the autocrats. Even popular opposition movements, from Venezuela to Hong Kong to Moscow, don't stand a chance. The members of Autocracy, Inc, aren't linked by a unifying ideology, like communism, but rather a common desire for power, wealth, and impunity. In this urgent treatise, which evokes George Kennan's essay calling for "containment" of the Soviet Union, Anne Applebaum calls for the democracies to fundamentally reorient their policies to fight a new kind of threat.

ONE OF TIME's 100 MUST READ BOOKS OF 2024 • ONE OF PEOPLE'S BEST BOOKS THE MONTH • 
A SPOTIFY AUDIOBOOK OF THE MONTH
“I did not expect to be shocked by There Is No Ethan. Online deception has become so ubiquitous that it’s boring…But the twists and turns in Anna Akbari’s book are outrageous. I read it in one sitting, then spent days recounting her story to anyone who would listen, unable to shake off my indignation on behalf of the author and her fellow victims.”—New York Times

“Just when you think you know what's going to happen, trust me, you don't.”—Abby Jimenez, #1 New York Times bestselling author

Part memoir, part explosive window into the mind of a catfisher, a thrilling personal account of three women coming face-to-face with an internet predator and teaming up to expose them.

In 2011, three successful and highly educated women fell head over heels for the brilliant and charming Ethan Schuman. Unbeknownst to the others, each exchanged countless messages with Ethan, staying up late into the evenings to deepen their connections with this fascinating man. His detailed excuses about broken webcams and complicated international calling plans seemed believable, as did last minute trip cancellations. After all, why would he lie?  Ethan wasn't after money — he never convinced his marks to shell out thousands of dollars for some imagined crisis. Rather, he ensnared these women in a web of intense emotional intimacy. After the trio independently began to question inconsistencies in their new flame's stories, they managed to find one another and uncover a greater deception than they could've ever imagined. As Anna Akbari and the women untangled their catfish’s web, they found other victims and realized that without a proper crime, there was no legal reason for “Ethan” to ever stop.

THERE IS NO ETHAN catalogues Akbari's experience as both victim and observer. By looking at the bigger picture of where these stories unfold — a world where technology mediates our relationships; where words and images are easily manipulated; and where truth, reality, and identity have become slippery terms — Akbari gives a page-turning and riveting examination of why stories like Ethan's matter for us all.
 

NATIONAL BESTSELLER • An exhilarating novel about one American family and the dark moment that shatters their suburban paradise, from the New York Times bestselling author of Fleishman Is in Trouble

New York Times Book Review Editors’ Choice • New York Magazine’s Beach Read Book Club Pick • Belletrist Book Club Pick • A Time and Kirkus Reviews Best Book of the Year

“Joins the pantheon of great American novels.”—Los Angeles Times
“Exuberant and absorbing . . . a big old-fashioned social novel.”—The Atlantic

“Were we gangsters? No. But did we know how to start a fire?”

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

But now, nearly forty years later, it’s clear that perhaps nobody ever got over anything, after all. Carl has spent the ensuing years secretly seeking closure to the matter of his kidnapping, while his wife, Ruth, has spent her potential protecting her husband’s emotional health. Their three grown children aren’t doing much better: Nathan’s chronic fear won’t allow him to advance at his law firm; Beamer, a Hollywood screenwriter, will consume anything—substance, foodstuff, women—in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she’s not a product of her family’s pathology that she has come to define it. As they hover at the delicate precipice of a different kind of survival, they learn that the family fortune has dwindled to just about nothing, and they must face desperate questions about how much their wealth has played a part in both their lives’ successes and failures.

Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present, and confronting the mainstays of American Jewish life: tradition, the pursuit of success, the terror of history, fear of the future, old wives’ tales, evil eyes, ambition, achievement, boredom, dybbuks, inheritance, pyramid schemes, right-wing capitalists, beta-blockers, psychics, and the mostly unspoken love and shared experience that unite a family forever.

A Publishers Weekly and Book Riot Best Romance of 2024

The author of the “sexy, insightful, and utterly charming” (BuzzFeed) Kiss Her Once for Me returns with a new queer rom-com following once childhood best friends forced together to drive their former teacher across the country.

A long time ago, Logan Maletis and Rosemary Hale used to be friends. They spent their childhood summers running through the woods, rebelling against their conservative small town, and dreaming of escaping. But then an incident the summer before high school turned them into bitter rivals. After graduation, they went ten years without speaking.

Now in their thirties, Logan and Rosemary find they aren’t quite living the lives of adventure they imagined for themselves. Still in their small town and working as teachers at their alma mater, they’re both stuck in old patterns. Uptight Rosemary chooses security and stability over all else, working constantly, and her most stable relationship is with her label maker. Chaotic and impulsive Logan has a long list of misguided ex-lovers and an apathetic shrug she uses to protect herself from anything real. And as hard as they try to avoid each other—and their complicated past—they keep crashing into each other. Including with their cars.

But when their beloved former English teacher and lifelong mentor tells them he has only a few months to live, they’re forced together once and for all to fulfill his last wish: a cross-country road trip. Stuffed into the gayest van west of the Mississippi, the three embark on a life-changing summer trip—from Washington state to the Grand Canyon, from the Gulf Coast to coastal Maine—that will chart a new future and perhaps lead them back to one another.

From America’s top courtroom sketch artist, a penetrating, compulsively readable memoir about her dramatic four-decade career


“A mesmerizing look at this rarest of professions…”–Bookpage STARRED review
"Readers will be hard-pressed to put this down.”—Publishers Weekly STARRED review
"Rosenberg’s fascinating debut offers a front row seat to some of the most high-profile criminal cases of the last four decades."—Library Journal STARRED review
"Perceptive, compassionate, and endlessly fascinated by how the human condition is revealed in the courtroom, Rosenberg tells riveting and resonant tales in image and word."—Booklist STARRED review

For over forty years, Jane Rosenberg has been at the heart of the news cycle, covering almost every major trial that has passed through the New York justice system as a courtroom sketch artist, including the most recent Donald Trump hush money trial.

In Drawn Testimony, Rosenberg brings us into the dramatic high-stakes world of her craft, where art, psychology and courtroom drama collide. Over the course of her legendary career, Jane has had a front-row seat to some of the most iconic and notorious moments in our nation’s recent history, including cases pertaining to:
• Mick Jagger
• Martha Stewart
• Tom Brady's "Deflategate" scandal
• John Lennon’s murder trial 
• Ghislaine Maxwell
• John Gotti
• Harvey Weinstein
• The Boston Marathon bomber
• Donald Trump

Readers will learn how she has honed her unique powers of perception and also what her portraits reveal, not only about her subjects, but about the human condition in general.

Fearless, fascinating and gorgeously written, Drawn Testimony captures the unique career of an artist whose body of work depicts history as it’s happening.

INTERNATIONAL BESTSELLER • Longlisted for the 2024 Booker Prize • A New York Times Editors’ Choice • An NPR Book of the Day • Named a Best Book of 2024 (So Far) by the New York Times, Esquire, Vulture, W Magazine, Indigo, Audible, and Barnes & Noble • One of Oprah Daily’s Best New Novels to Read in Spring 2024 • An Audacious Book Club Pick • Named a Most Anticipated Book by TIME, Real Simple, Oprah Daily, Vulture, NPR, and The Millions • One of Kirkus Reviews Best Books of 2024

The eagerly awaited follow-up to Pulitzer Prize finalist Tommy Orange’s breakout best seller There There—winner of the PEN/Hemingway Award, the John Leonard Prize, the American Book Award, and one of the New York Times Ten Best Books of the Year—Wandering Stars traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Industrial School for Indians through to the shattering aftermath of Orvil Redfeather’s shooting in There There.

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion Prison Castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Industrial School for Indians, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodline.

Oakland, 2018. Opal Viola Victoria Bear Shield is barely holding her family together after the shooting that nearly took the life of her nephew Orvil. From the moment he awakens in his hospital bed, Orvil begins compulsively googling school shootings on YouTube. He also becomes emotionally reliant on the prescription medications meant to ease his physical trauma. His younger brother Lony, suffering from PTSD, is struggling to make sense of the carnage he witnessed at the shooting by secretly cutting himself and enacting blood rituals which he hopes will connect him to his Cheyenne heritage. Opal is equally adrift, experimenting with Ceremony and peyote, searching for a way to heal her wounded family.

Extending his constellation of narratives into the past and future, Tommy Orange once again delivers a story that is by turns shattering and wondrous, a book piercing in its poetry, sorrow, and rage—a masterful follow-up to his already—classic first novel, and a devastating indictment of America’s war on its own people.

NEW YORK TIMES BESTSELLER • SHORTLISTED FOR THE NATIONAL BOOK AWARD • A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.

NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW AND A TIME MUST-READ BOOK OF THE YEAR 

“Kaveh Akbar is one of my favorite writers. Ever.” —Tommy Orange, Pulitzer Prize–nominated author of There There

“The best novel you'll ever read about the joy of language, addiction, displacement, martyrdom, belonging, homesickness.” —Lauren Groff, best-selling author of Matrix and Fates and Furies

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.

“A powerful argument for reforming this system.”—The New York Times

An urgent investigation of student debt in America revealing the corrupt systems, rotten policies, and bad actors that have created a $1.7 trillion crisis.

College costs more today than ever and is worth less. Tuition at public colleges has more than tripled in the past 50 years. Over the same period student debt has grown from virtually nothing to more than $1.7 trillion, second only to home mortgages.

Skyrocketing student-loan burdens are leading an entire generation to put off the traditional milestones of adulthood: buying homes, getting married, starting families, and saving for retirement. The burden weighs heavier on women and black Americans, and with almost 10 percent of student debtors now over the age of 60, it is a crisis no longer limited to the young.

Ryann Liebenthal’s Burdened tells the maddening story of how the power plays of legislators and presidents, the commodification of higher ed, and the rapacious practices of for-profit colleges and private lenders have created today’s student-debt lava pit.

As the notion of student-loan cancellation percolates into the political mainstream, Liebenthal offers a deeply researched, sweeping narrative of our broken system. Rather than give in to despair, she boldly charts a way out, offering hopeful solutions to this seemingly unfixable problem.

One of Washington Post's 50 Notable Works of Nonfiction From 2024

The first volume in a two-book series about each of the atomic bomb drops that ended the Pacific War based on years of irreplicable personal interviews with survivors to tell a story of devastation and resilience

In this vividly rendered historical narrative, M. G. Sheftall layers the stories of hibakusha—the Japanese word for atomic bomb survivors—in harrowing detail, to give a minute-by-minute report of August 6, 1945, in the leadup and aftermath of the world-changing bombing mission of Paul Tibbets, Enola Gay, and Little Boy. These survivors and witnesses, who now have an average age over ninety years old, are quite literally the last people who can still provide us with reliable and detailed testimony about life in their cities before the bombings, tell us what they experienced on the day those cities were obliterated, and give us some appreciation of what it has entailed to live with those memories and scars during the subsequent seventy-plus years.

Sheftall has spent years personally interviewing survivors who lived well into the twenty-first century, allowing him to construct portraits of what Hiroshima was like before the bomb, and how catastrophically its citizens’ lives changed in the seconds, minutes, days, weeks, months, and years afterward. He stands out among historians due to his fluency in spoken and written Japanese, and his longtime immersion in Japanese society that has allowed him, a white American, the unheard-of access to these atomic bomb survivors in the waning years of their lives. Their trust in him is evident in the personal and traumatic depths they open up for him as he records their stories.

Hiroshima should be required reading for the modern age. The personal accounts it contains will serve as cautionary tales about the horror and insanity of nuclear warfare, reminding them—it is hoped—that the world still lives with this danger at our doorstep.

NATIONAL BESTSELLER • One of Time’s 100 Must-Read Books of 2024 • A New York Times Best Book of the Year (So Far) • A New York Times Editors’ Choice • The #1 New York Times bestselling author of the Magicians Trilogy returns with a triumphant reimagining of the King Arthur legend for the new millennium

“Grossman, who is best known for his The Magicians series, is at the top of his game with The Bright Sword.” —The New York Times Book Review

“A thrilling new take on Arthurian legend. . . . Marvelous.” —The Washington Post

“If you love King Arthur as much as I do, you’ll love Lev Grossman’s The Bright Sword, a fresh and engrossing take on the Matter of Britain featuring a colorful cast of Round Table knights who don’t often get as much story time as they deserve. The creator of The Magicians has woven another spell.” —George R. R. Martin, #1 New York Times bestselling author of A Game of Thrones

A gifted young knight named Collum arrives at Camelot to compete for a place at the Round Table, only to find that he’s too late. King Arthur died two weeks ago at the Battle of Camlann, and only a handful of the knights of the Round Table are left.

The survivors aren’t the heroes of legend like Lancelot or Gawain. They’re the oddballs of the Round Table, like Sir Palomides, the Saracen Knight, and Sir Dagonet, Arthur’s fool, who was knighted as a joke. They’re joined by Nimue, who was Merlin’s apprentice until she turned on him and buried him under a hill. 

But it's up to them to rebuild Camelot in a world that has lost its balance, even as God abandons Britain and the fairies and old gods return, led by Morgan le Fay. They must reclaim Excalibur and make this ruined world whole again—but first they'll have to solve the mystery of why the lonely, brilliant King Arthur fell. 

The first major Arthurian epic of the new millennium, The Bright Sword is steeped in tradition, complete with duels and quests, battles and tournaments, magic swords and Fisher Kings. It's also a story about imperfect men and women, full of strength and pain, trying to reforge a broken land in spite of being broken themselves.

A comprehensive and critical companion to the blockbuster TV show LOST, revisiting its core themes, lore, and impact on culture

Before it premiered in the fall of 2004, LOST looked doomed to be an expensive, disastrous plane crash of a TV show. Instead, LOST was a massive hit, debuting with the biggest audience for a new drama on ABC in over a decade, reaching heights of over 23 million viewers at its peak, and holding on to a hefty fan-base for its entire six-season run. The elements that made the series seem like a boondoggle proved, instead, to be a big part of its appeal. Audiences loved the exotic island setting, became invested in the morally compromised characters, and feverishly tried to unravel the show's many mysteries.

In LOST: Back to the Island, TV critics and veteran LOST recappers Emily St. James and Noel Murray revisit what made the show such a success and an object of enduring cultural obsession, twenty years later. Through essays, episode summaries, and cultural analysis, they take us back to the island and examine LOST's lasting impact--and its complicated, sometimes controversial legacy--with a clear-eyed and lively investigation.

For fans of one of the most successful and highly discussed shows in recent memory, LOST: Back to the Island is both a delightful time capsule and a rousing work of entertainment criticism.

#1 NATIONAL BESTSELLER • NEW YORK TIMES BESTSELLER • The renowned author of Between the World and Me journeys to three resonant sites of conflict to explore how the stories we tell—and the ones we don’t—shape our realities.

“Ta-Nehisi Coates always writes with a purpose. . . . These pilgrimages, for him, help ground his powerful writing about race.”—Associated Press

“Coates exhorts readers, including students, parents, educators, and journalists, to challenge conventional narratives that can be used to justify ethnic cleansing or camouflage racist policing. Brilliant and timely.”—Booklist (starred review)

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.

In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground. 

Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.