List

WINNER OF THE TORONTO BOOK AWARD

“An utter treat among graphic novels. This beautiful, honest coming-of-age tale is a standout in its quality.... One of the best books so far this year.” —Toronto Star

For fans of Fun Home by Alison Bechdel, I’m So Glad We Had This Time Together is an epic graphic memoir about a queer illustrator surviving his intensely Christian childhood in 1970s Toronto.

Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice—except for literature. He’d much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends’ Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice’s mother, Ann, cannot accept him, setting the course for a long estrangement.

Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he’s dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart’s true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it’s going to be a long, messy, and occasionally hilarious process.

I’m So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.

Starred Review from Kirkus Reviews. "The animated evolution of a queer boy from his strict religious upbringing to a liberated adolescence. . . . Tokyo-based couple Mann and Gatts integrate their illustrative and authorial talents in this debut graphic memoir vividly detailing Mann's coming-of-age while cloaking his burgeoning homosexual feelings."

A coming-of-age graphic novel memoir about a young man who, growing up in an Orthodox Jewish community, realizes he's gay and struggles to reconcile his faith with who he is.

Lonnie's Orthodox Jewish community has always been clear: it's not okay to be gay. Growing up in a devout family and going to school at a yeshiva, he's told by his parents, his teachers, and his friends that being gay is a sin and an abomination. But as he gets older, he realizes that he likes boys, and wonders what kind of life he will be able to live. As Lonnie expands his world beyond the yeshiva to theater camp, college classes, and movie nights, he sees that the life he wants isn't compatible with the life of his parents -- and his whole religious community.

This emotional graphic novel explores the fissures between identity and religion and charts Lonnie's journey from a kid who loved the rules of the Orthodox Jewish tradition to becoming increasingly independent and defiant, embracing his gay identity and developing his own chosen family.

This is Monica, one ordinary woman's extraordinary journey through the history of comics - from the creator of Ghost World

***AN OBSERVER BOOK OF THE YEAR 2023***

'Pitch-perfect... Could not put it down'
OBSERVER

'In Monica, Clowes reaches a new artistic peak'
VANITY FAIR

A dazzling, spectacular tapestry of interconnected narratives that together tell a life story, Monica is the new graphic novel from one of the most iconic storytellers of all time. This eponymous protagonist is a rag-to-riches character who, after being abandoned by her freewheelin' parents in childhood, succeeds in clawing her way to the top - only to lose it all in a stroke of bad luck. She lives out the rest of her days in search of her parents, encountering a cast of eccentric characters who help to piece together her story.

This graphic novel extravaganza is an unforgettable ode to the many genres that have defined the comics form - from war, romance and horror to crime and the supernatural. Mysterious, uncategorisable and quintessentially Clowesian, here is a multi-layered masterpiece born of a lifetime of inspiration. Monica marks the creative apex of Daniel Clowes' distinguished career, one of the defining voices of the graphic novel boom over the past quarter-century.

Live, laugh, shed blood. Dexter meets Richard Scarry's Busy, Busy Town in this twisted debut graphic novel!

Don't. Murder. The locals.

This is small-town serial killer, upstanding citizen, and adorable brown bear Samantha Strong's cardinal rule. After all, there's a sea of perfectly ripe potential victims in the big city just beyond the forest, and when you've worked as hard as Sam to build a cozy life and a thriving business in a community surrounded by friendly fellow animal folk, warm decor, and the aroma of cedar trees and freshly baked apple pie...the last thing you want is to disturb the peace.

So you can imagine her indignation when one of Woodbrook's own meets a grisly, mysterious demise--and you wouldn't blame her for doing anything it takes to hunt down her rival before the town self-destructs and Sheriff Patterson starts (literally) barking up the wrong tree.

Cute critters aren't immune to crime in this original graphic novel debut by writer-artist Patrick Horvath.

Confronting “the beast within” us all, The Werewolf at Dusk celebrates the singular genius of David Small, author of the #1 New York Times bestseller Stitches.

Long celebrated as a modern master of graphic literature, David Small has elicited in his work comparisons to Stan Lee and even Alfred Hitchcock. His internationally acclaimed graphic memoir, Stitches, told the story of a childhood in disarray. Werewolf at Dusk, appearing nearly fifteen years later, turned its attention to the twilight of life and to aging, gracefully or otherwise.

Eerily striking and mesmerizing, the three stories in this collection are linked, as Small writes, by the dread of things internal. In the title story, an adaptation of Lincoln Michel’s classic short piece, the dread is that of a man who has reached senility with something repellant in his nature. He—an impotent werewolf, no longer able to hunt—confronts the terror of obsolescence. What do I even look like now, he wonders, when the full moon draws out the wolf inside me? The specter of old age also haunts the semiautobiographical story “A Walk in the Old City.” Brain matter cascades and spiders loom as a psychoanalyst, self-assured in his practice, wanders along empty streets, reality warping into the irrational with the insouciance of a dream.

In the final story, a reinterpretation of Jean Ferry’s “The Tiger in Vogue,” this dreamscape gives way to the ominous environs of Berlin in the 1920s. When a peaceful evening at the music hall is interrupted by a garish surprise act, only the protagonist seems to notice. Yet he, too, is transfixed by the performance, watching as a little man with a moustache, pale skin, and tired eyes wills a tiger into submission. With its sharp lines and vibrant blues and oranges, the artwork recalls Edvard Munch’s anguished The Scream, likewise capturing the moment—the dread—before disaster.

As fluid as Japanese manga and rife with unsettling imagery, Werewolf at Dusk is a testament to the singular dark genius of David Small.

Akira meets Aliens, and Annihilation meets Evangelion, in this coming-of-age monster tale from award-winning graphic novelist Chris Gooch.

Twelve years after a disastrous explosion, young Hailey is dropped off by her mum at a holiday camp in a dilapidated shopping mall. Alienated from the other kids, she connects with an eerie older teen named Jen... but soon dark horrors awaken, and the two new friends are caught up in a cataclysmic battle between two terrifying creatures who have been lying dormant all this time.

One of Australia's most acclaimed young graphic novelists, Chris Gooch expertly crafts a taut and intimate thriller about mothers and daughters, the monstrous and the mundane, and the power of friendship in the midst of catastrophe.

Set against the tumultuous political backdrop of late '60s Chicago, My Favorite Thing Is Monsters Book Two is the eagerly awaited conclusion to one of the most acclaimed graphic novels of the past decade. Presented as the fictional graphic diary of 10-year-old Karen Reyes as she tries to solve the murder of her beloved and enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold.

In Book Two, dark mysteries past and present continue to abound in the tumultuous and violent Chicago summer of 1968. Young Karen attends a protest in Grant Park and finds herself swept up in a police stomping. Privately, she continues to investigate Anka's recent death and discovers one last cassette tape that sheds light upon Anka's heroic activities in Nazi Germany. She wrestles with her own sexual identity, the death of her mother, and the secrets she suspects her brother Deez of hiding. Ferris's exhilarating cast of characters experience revelations and epiphanies that both resolve and deepen the mysteries visited upon them earlier. Visually, the story is told in Ferris's inimitable style that breathtakingly and seamlessly combines panel-to-panel storytelling and cartoon montages filled with B-movie horror and pulp monster mag iconography.

From Molly Knox Ostertag, writer-illustrator of the New York Times and ABA Indie bestselling The Witch Boy trilogy and The Girl from the Sea, comes a darkly beautiful story of identity, family, love, loss, and magic.

Everyone has secrets. Mags’s has teeth.

Magdalena Herrera is about to graduate high school, but she already feels like an adult with serious responsibilities: caring for her ailing grandmother; working a part-time job; clandestine makeouts with a girl who has a boyfriend. And then there’s her secret, which pulls her into the basement each night, drains her of energy, and leaves her bleeding. A secret that could hurt and even kill if it ever got out -- like it did once before.

So Mags keeps her head down, isolated in her small desert community. That is, until her childhood friend Nessa comes back to town, bringing vivid memories of the past, an intoxicating glimpse of the future, and a secret of her own. Mags won’t get attached, of course. She’s always been strong enough to survive without anyone’s help.

But when the darkness starts to close in on them both, Mags will have to drag her secret into the daylight, and choose between risking everything... or having nothing left to lose.

ED BRUBAKER and SEAN PHILLIPS, bestselling creators of PULP, RECKLESS, and CRIMINAL, are back with a new original graphic novel that readers will be obsessed withÉA boarding house full of druggies. A neglected housewife. A young girl who thinks shes a superhero. A cop who wants to be left alone. And a private detective looking for a runaway girl. These stories collide one fateful summer in WHERE THE BODY WAS, a tale of love and murder in the suburbs, told from a dozen different points of view. All the neighbors on the block have an opinion about the murder and how it happened, but which of them is telling the truth?WHERE THE BODY WAS is a tour-de-force from grandmasters ED BRUBAKER and SEAN PHILLIPS. Starting with a map of the crime scene, this murder mystery follows the ripples of this killing as they echo through decades of love and loss and passion and violence. Like a true crime podcast crossed with a long-lost diary, WHERE THE BODY WAS is unlike anything BRUBAKER PHILLIPS have ever done and a must-have for all their avid fans!

Hannibal meets Silent Night, Deadly Night in this pitch-black holiday horror story that cuts right through our most taboo notions. As snow falls over Milwaukee in 1972, a blood-stained Santa Claus commits unimaginable atrocities against young men. Fifty years later, a troubled young writer interviews this so-called Deviant Killer, who still maintains his innocence from behind bars. And as Christmas approaches once again, the past returns, wielding a sharpened ax. Multiple Eisner Award-winning writer JAMES TYNION IV (W0RLDTR33, THE DEPARTMENT OF TRUTH) and acclaimed artist JOSHUA HIXSON (The Plot, Children of the Woods unite for a psychological crime thriller that explores the intersection of queer identities and a broader scope of cultural transgression and deviance. Collects THE DEVIANT #1-4 Select praise for THE DEVIANT: One of the most impressive fi rst issues of a comic book weÕve had in 2023. JAMES TYNION and JOSHUA HIXSON knock it out of the park creating story you canÕt help but be immersed by. This may be the most terrifying version of Santa Clause we have seen. ItÕs definitely a must read for fans of horror. —Comic Book Revolution ThereÕs something truly haunting and chilly about THE DEVIANT, not unlike Robert EggersÕ The Witch. Mood and tension come together in an excellent opening issue thatÕs filled with unease. ThereÕs a hopelessness that rings throughout that makes it hard to put this book down. - AIPT Horror and Christmas don't overlap much in popular culture, but this creative team has masterfully blended the two here—while throwing in an homage to The Silence of the Lambs. —Comicon A creepy, terrifying read in the mode of THE CLOSET. And JOSHUA HIXSON's design for the main killer character is terrifying. -Comic Book Club podcast