Home

NATIONAL BESTSELLER • “This inventive, boundary-pushing follow-up to Detransition, Baby . . . [takes] on gender, transness and lives on the margins in all of their gorgeously complicated glory.”—People

“Hot, heartbreaking, and thrillingly victorious.”—Miranda July, New York Times bestselling author of All Fours

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • A BEST BOOK OF THE YEAR: NPR, THE WASHINGTON POST, ELECTRIC LIT, CHICAGO PUBLIC LIBRARY • A VULTURE BEST BOOK OF THE YEAR (SO FAR)

In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing.

In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition.

Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood.

Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.

'S. A. Cosby's novels always hit the grand slam of crime fiction' MICHAEL CONNELLY
'Cosby sends a shiver down the spine' DAILY MAIL
'A pulsating saga of family secrets and double and triple-crossing' THE TIMES, THE BEST THRILLERS OF 2025

A son returning home. A dangerous debt. Secrets about to ignite . . . and a family consumed by flames.

Roman Carruthers left the smoke and fire of his family's crematory business behind in his hometown of Jefferson Run, Virginia. He is enjoying a life of shallow excess as a financial adviser in Atlanta until he gets a call from his sister, Neveah, telling him their father is in a coma after a hit-and-run accident.

When Roman goes home, he learns the accident may not be what it seems. His brother, Dante, is deeply in debt to dangerous, ruthless criminals. And Roman is willing to do anything to protect his family. Anything.

A financial whiz with a head for numbers and a talent for making his clients rich, Roman must use all his skills to try to save his family while dealing with a shadow that has haunted them all for twenty years: the disappearance of their mother when Roman and his siblings were teenagers. It's a mystery that Neveah, who has sacrificed so much of her life to hold her family together, is determined to solve once and for all.

As fate and chance and heartache ignite their lives, the Carruthers family must pull together to survive or see their lives turn to ash. Because, as their father counseled them from birth, nothing lasts forever. Everything burns.

'A pulsating thriller' MAIL ON SUNDAY
'Builds to an explosive finale' DAILY EXPRESS
'American crime fiction has found its future and his name is S.A. Cosby' DENNIS LEHANE
'Dazzlingly bold and brutal, yet still manages to break your heart' CRIME MONTHLY


Praise for S. A. Cosby:

'Sensationally good' LEE CHILD
'Exhilarating' STEPHEN KING
'Stunning. Can't remember the last time I read such a powerful crime novel' MARK BILLINGHAM
'S. A. Cosby is a welcome, refreshing new voice in crime literature' DENNIS LEHANE
'Every once in a while a writer comes along with an incredible voice...add S. A. Cosby to that list' STEVE CAVANAGH
'Elegant, fierce storytelling at its absolute best.' DAILY MAIL

#1 NEW YORK TIMES BESTSELLER!

A Most Anticipated Book of 2025: Goodreads • USA TODAY • Marie Claire • BookPage • Literary Lifestyle • Book Riot • Sunset Magazine • Totally Booked with Zibby Owens * A Fallon Book Club Pick

The #1 New York Times bestselling author of Anxious People returns with an unforgettably funny, deeply moving tale of four teenagers whose friendship creates a bond so powerful that it changes a complete stranger’s life twenty-five years later.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.

How did America cease to be the land of opportunity?

We take it for granted that good neighborhoods—with good schools and good housing—are only accessible to the wealthy. But in America, this wasn’t always the case.

Though for most of world history, your prospects were tied to where you were born, Americans came up with a revolutionary idea: If you didn’t like your lot in life, you could find a better location and reinvent yourself there. Americans moved to new places with unprecedented frequency, and, for two hundred years, that remarkable mobility was the linchpin of American economic and social opportunity. 

In this illuminating debut, Yoni Appelbaum, historian and journalist for The Atlantic, shows us that this idea has been under attack since reformers first developed zoning laws to ghettoize Chinese Americans in nineteenth-century Modesto, California. The century of legal segregation that ensued—from the zoning laws enacted to force Jewish workers back into New York’s Lower East Side to the private-sector discrimination and racist public policy that trapped Black families in Flint, Michigan to Jane Jacobs’ efforts to protect her vision of the West Village—has raised housing prices, deepened political divides, emboldened bigots, and trapped generations of people in poverty. Appelbaum shows us that these problems have a common explanation: people can’t move as readily as they used to. They are, in a word, stuck.

Cutting through more than a century of mythmaking, Stuck tells a vivid, surprising story of the people and ideas that caused our economic and social sclerosis and lays out common-sense ways to get Americans moving again.

A globe-trotting work of relentless investigative reporting, this is the first major book to expose the catastrophic reality of the multi-billion-dollar global garbage trade.
                                                                                          
Dumps and landfills around the world are overflowing. Disputes about what to do with the millions of tons of garbage generated every day have given rise to waste wars waged almost everywhere you look. Some are border skirmishes. Others hustle trash across thousands of miles and multiple oceans. But no matter the scale, one thing is true about almost all of them: few people have any idea they're happening.

Journalist Alexander Clapp spent two years roaming five continents to report deep inside the world of Javanese recycling gangsters, cruise ship dismantlers in the Aegean, Tanzanian plastic pickers, whistle-blowing environmentalists throughout the jungles of Guatemala, and a community of Ghanaian boys who burn Western cellphones and televisions for cents an hour, to tell readers what he has figured out: While some trash gets tossed onto roadsides or buried underground, much of it actually lives a secret hot potato second life, getting shipped, sold, re-sold, or smuggled from one country to another, often with devastating consequences for the poorest nations of the world. 

Waste Wars is a jaw-dropping exposé of how and why, for the last forty years, our garbage — the stuff we deem so worthless we think nothing of throwing it away — has spawned a massive, globe-spanning, multi-billion-dollar economy, one that offloads our consumption footprints onto distant continents, pristine landscapes, and unsuspecting populations. If the handling of our trash reveals deeper truths about our Western society, what does the globalized business of garbage say about our world today? And what does it say about us?

NEW YORK TIMES BESTSELLER • An explosive, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from an award-winning investigative journalist

“A damning portrait.”—Associated Press

“A page-turning drama that raises life-or-death questions about the world’s largest healthcare conglomerate.”—Jonathan Eig, Pulitzer Prize–winning author of King: A Life

A CHICAGO PUBLIC LIBRARY AND NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR

One day in 2004, Gardiner Harris, a pharmaceutical reporter for The New York Times, was early for a flight and sat down at an airport bar. He struck up a conversation with the woman on the barstool next to him, who happened to be a drug sales rep for Johnson & Johnson. Her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris would cover the company—and the entire pharmaceutical industry—for the Times. His subsequent investigations and ongoing research since that very first conversation led to this book—a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world.

Harris takes us light-years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding the link of Johnson’s Baby Powder to cancer, the surprising dangers of Tylenol, a criminal campaign to sell antipsychotics that have cost countless lives, a popular drug used to support cancer patients that actually increases the risk that cancer tumors will grow, and deceptive marketing that accelerated opioid addictions through their product Duragesic (fentanyl) that rival even those of the Sacklers and Purdue Pharma.

Filled with shocking and infuriating but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

A NEW YORK TIMES NOTABLE BOOK • Through the “revelatory and gut-wrenching” (Associated Press) stories of five Atlanta families, this landmark work of journalism exposes a new and troubling trend—the dramatic rise of the working homeless in cities across America

“An exceptional feat of reporting, full of an immediacy that calls to mind Adrian Nicole LeBlanc’s Random Family and Matthew Desmond’s Evicted.”—The New York Times Book Review (Editors’ Choice)

FINALIST FOR THE ANDREW CARNEGIE MEDAL • A BEST BOOK OF THE YEAR: NPR, THE WASHINGTON POST, BOOKPAGE 

The working homeless. In a country where hard work and determination are supposed to lead to success, there is something scandalous about this phrase. But skyrocketing rents, low wages, and a lack of tenant rights have produced a startling phenomenon: People with full-time jobs cannot keep a roof over their head, especially in America’s booming cities, where rapid growth is leading to catastrophic displacement. These families are being forced into homelessness not by a failing economy but a thriving one.

In this gripping and deeply reported book, Brian Goldstone plunges readers into the lives of five Atlanta families struggling to remain housed in a gentrifying, increasingly unequal city. Maurice and Natalia make a fresh start in the country’s “Black Mecca” after being priced out of DC. Kara dreams of starting her own cleaning business while mopping floors at a public hospital. Britt scores a coveted housing voucher. Michelle is in school to become a social worker. Celeste toils at her warehouse job while undergoing treatment for ovarian cancer. Each of them aspires to provide a decent life for their children—and each of them, one by one, joins the ranks of the nation’s working homeless.

Through intimate, novelistic portraits, Goldstone reveals the human cost of this crisis, following parents and their kids as they go to sleep in cars, or in squalid extended-stay hotel rooms, and head out to their jobs and schools the next morning. These are the nation’s hidden homeless—omitted from official statistics, and proof that overflowing shelters and street encampments are only the most visible manifestation of a far more pervasive problem.

By turns heartbreaking and urgent, There Is No Place for Us illuminates the true magnitude, causes, and consequences of the new American homelessness—and shows that it won’t be solved until housing is treated as a fundamental human right.

Named a Most Anticipated Book of 2025 by The New York Times Book Review, AV Club, Variety, The Boston Globe, The Minnesota Star Tribune, Vulture, Men’s Health, Book Riot, New York Post, Goodreads, AARP, Paste, and more!

From master storyteller Stephen King comes an extraordinary new novel with intertwining storylines—one about a killer on a diabolical revenge mission, and another about a vigilante targeting a feminist celebrity speaker—featuring the beloved Holly Gibney and a dynamic new cast of characters.

When the Buckeye City Police Department receives a disturbing letter from a person threatening to “kill thirteen innocents and one guilty” in “an act of atonement for the needless death of an innocent man,” Detective Izzy Jaynes has no idea what to think. Are fourteen citizens about to be slaughtered in an unhinged act of retribution? As the investigation unfolds, Izzy realizes that the letter writer is deadly serious, and she turns to her friend Holly Gibney for help.

Meanwhile, controversial and outspoken women’s rights activist Kate McKay is embarking on a multi-state lecture tour, drawing packed venues of both fans and detractors. Someone who vehemently opposes Kate’s message of female empowerment is targeting her and disrupting her events. At first, no one is hurt, but the stalker is growing bolder, and Holly is hired to be Kate’s bodyguard—a challenging task with a headstrong employer and a determined adversary driven by wrath and his belief in his own righteousness.

Featuring a riveting cast of characters both old and new, including world-famous gospel singer Sista Bessie and an unforgettable villain addicted to murder, these twinned narratives converge in a chilling and spectacular conclusion—a feat of storytelling only Stephen King could pull off.

Thrilling, wildly fun, and outrageously engrossing, Never Flinch is one of King’s richest and most propulsive novels.

An exuberant, hilarious, and profound memoir by a mailman in the Blue Ridge Mountains of Virginia, who found that working for the post office saved his life, taught him who he was, gave him purpose, and educated him deeply about a country he loves but had lost touch with.

Steve Grant was laid off in March of 2020. He was fifty and had cancer, so he needed health insurance, fast. Which is how he found himself a rural letter carrier in Appalachia, back in his old hometown.

Suddenly, he was the guy with the goods, delivering dog food and respirators and lube and heirloom tomato seeds and Lord of the Rings replica swords. He transported chicken feed to grandmothers living alone in the mountains and forded a creek with a refrigerator on his back. But while he carried the mail, he also carried a whole lot more than just the mail, including a family legacy of rage and the anxiety of having lost his identity along with his corporate job.

And yet, slowly, surrounded by a ragtag but devoted band of letter carriers, working this different kind of job, Grant found himself becoming a different kind of person. He became a lifeline for lonely people, providing fleeting moments of human contact and the assurance that our government still cares. He embraced the thrill of tackling new challenges, the pride of contributing to something greater than himself, the joy of camaraderie, and the purpose found in working hard for his family and doing a small, good thing for his community. He even kindled a newfound faith.

A brash and loving portrait of an all-American institution, Mailman offers a deeply felt portrait of both rural America and the dedicated (and eccentric) letter carriers who keep our lives running smoothly day to day. One hell of a raconteur, Steve Grant has written an irreverent, heartfelt, and often hilarious tribute to the simple heroism of daily service, the dignity and struggle of blue-collar work, the challenge and pleasure of coming home again after twenty-five years away, and the delight of going the extra mile for your neighbors, every day.

* KIRKUS BEST NONFICTION BOOKS OF THE YEAR 2025*

*ONE OF AV CLUB'S BEST BOOKS OF 2025*

"[An] indictment of an industry that has cannily tilted the playing field in its favor. Bad Company details how clichéd abstractions like ‘consolidation’ and ‘efficiency’ have given cover to real betrayals.” - The New York Times
A timely work of singular reportage and a damning indictment of the private equity industry told through the stories of four American workers whose lives and communities were upended by the ruinous effects of private equity takeovers.
Private equity runs our country, yet few Americans have any idea how ingrained it is in their lives. Private equity controls our hospitals, daycare centers, supermarket chains, voting machine manufacturers, local newspapers, nursing home operators, fertility clinics, and prisons. The industry even manages highways, municipal water systems, fire departments, emergency medical services, and owns a growing swath of commercial and residential real estate.
Private equity executives, meanwhile, are not only among the wealthiest people in American society, but have grown to become modern-day barons with outsized influence on our politics and legislation. CEOs of firms like Blackstone, Carlyle, KKR, and Apollo are rewarded with seats in the Senate and on the boards of the country’s most august institutions; meanwhile, entire communities are hollowed out as a result of their buyouts. Workers lose their jobs. Communities lose their institutions. Only private equity wins.
Acclaimed journalist Megan Greenwell’s Bad Company unearths the hidden story of private equity by examining the lives of four American workers that were devastated as private equity upended their employers and communities: a Toys R Us floor supervisor, a rural doctor, a local newspaper journalist, and an affordable housing organizer. Taken together, their individual experiences also pull back the curtain on a much larger project: how private equity reshaped the American economy to serve its own interests, creating a new class of billionaires while stripping ordinary people of their livelihoods, their health care, their homes, and their sense of security.
In the tradition of deeply human reportage like Matthew Desmond’s Evicted, Megan Greenwell pulls back the curtain on shadowy multibillion dollar private equity firms, telling a larger story about how private equity is reshaping the economy, disrupting communities, and hollowing out the very idea of the American dream itself. Timely and masterfully told, Bad Company is a forceful rebuke of America’s most consequential, yet least understood economic forces.
 

A Washington Post and Publishers Weekly Best SF/Fantasy/Horror Novel of 2025

Alien meets Midsommar in this chilling debut adult novel from award-winning author Andrew Joseph White about identity, survival, and transformation amidst an alien invasion in rural West Virginia.

Festering masses of worms and flies have taken root in dark corners across Appalachia. In exchange for unwavering loyalty and fresh corpses, these hives offer a few struggling humans salvation. A fresh start. It’s an offer that none refuse.

Crane is grateful. Among his hive’s followers, Crane has found a chance to transition, to never speak again, to live a life that won’t destroy him. He even met Levi: a handsome ex-Marine and brutal killer who treats him like a real man, mostly. But when Levi gets Crane pregnant—and the hive demands the child’s birth, no matter the cost—Crane’s desperation to make it stop will drive the community that saved him into a devastating spiral that can only end in blood.

You Weren’t Meant to Be Human is a deeply personal horror; a visceral statement about the lives of marginalized people in a hostile world, echoing the works of Stephen Graham Jones and Eric LaRocca.

Darryl Cunningham's new graphic biography of Elon Musk is a riveting deep dive into the audacious mind and tumultuous journey of the world's richest man. Using his signature pictographic style-clean lines, vivid colours, and lean panel compositions-Cunningham peels back the layers of myth around Musk to deliver a timely portrait that is provocative and informative. Spanning several generations, the book traces Musk's journey from his family roots in South Africa and his grandfather's role in the Technocracy movement to his current position at the apex of tech power and far-right politics. From Musk's early education and influences, the creation of PayPal, and the meteoric rise of Tesla and SpaceX thanks to millions in government handouts, to his acquisition of X.com and his ascension as a 'dark MAGA' influencer and kingmaker, Elon Musk: American Oligarch captures the tension, tumult, and chaos in which oligarchs thrive today. Cunningham's award-winning clarity and style sparkle as he presents freewheeling financial and engineering concepts used by startups and tech companies. This fast-paced biography reveals the complex interactions of visionary ideas, relentless drive, and unyielding ambition. Elon Musk: American Oligarch offers a fresh, unvarnished look at Musk's rise, aggressive leadership style, and appetite for risk-taking that have propelled him into a unique position as an unelected private business owner with unprecedented access to political power.

'Back to the Future super-fans are predictably well served here ... Fox's evocative descriptions of a lost Hollywood - pre-word processor, never mind pre-internet - will also interest a more general readership.' - Guardian

A poignant, heartfelt and funny memoir about how, in 1985, Michael J Fox brought two iconic roles to life simultaneously - Alex Keaton in Family Ties and Marty McFly in Back to the Future. Here is the amazing true story, as only Michael J Fox can tell it ...

In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox's days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg, Back to the Future. Sitcom during the day, movie at night - day after day, for months.

Fox's nightly commute from a soundstage at Paramount to the back lot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex's bravado, Marty's flair, and Fox's comedic virtuosity all swirled together to create something truly special.

In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time - a slice of entertainment history that's never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon.

From #1 New York Times bestselling author Joe Hill, a chilling tale of modern-world dangers, dark academia, and the unexpected consequences of revenge as six friends dabble in the occult and are tragically, horrifyingly successful… calling forth an evil entity that demands regular human sacrifice.

“A brilliantly Faustian fable with a heart as huge as a dragon’s, and a stinging twist in its tail. I devoured it.” —Ruth Ware, New York Times bestselling author of The Woman in Suite 11

Arthur Oakes is a reader, a dreamer, and a student at Rackham College, Maine, renowned for its frosty winters, exceptional library, and beautiful buildings. But his idyll—and burgeoning romance with Gwen Underfoot—is shattered when a local drug dealer and her partner corner him into one of the worst crimes he can imagine: stealing rare books from the college library.

Trapped and desperate, Arthur turns to his closest friends for comfort and help. Together they dream up a wild, fantastical scheme to free Arthur from the cruel trap in which he finds himself. Wealthy, irrepressible Colin Wren suggests using the unnerving Crane journal (bound in the skin of its author) to summon a dragon to do their bidding. The others—brave, beautiful Alison Shiner; the battling twins Donna and Donovan McBride; and brainy, bold Gwen—don’t hesitate to join Colin in an effort to smash reality and bring a creature of the impossible into our world.

But there’s nothing simple about dealing with dragons, and their pact to save Arthur becomes a terrifying bargain in which the six must choose a new sacrifice for King Sorrow every year—or become his next meal.

An Instant National Bestseller!

"There couldn’t be a timelier book . . . searingly poignant, essential . . . Macy follows closely in the footsteps of . . . Barbara Ehrenreich and Tracy Kidder, combining memoir with reportage, a raft of sobering statistics and, most uniquely in our era, a willingness to engage in uncomfortable conversations." —The Washington Post

From one of our most acclaimed chroniclers of the forces eroding America’s social fabric, her most personal and powerful work: a reckoning with the changes that have rocked her own beloved small Ohio hometown

Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s—certainly not for her family. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. Though she left for college on a Pell Grant and then a faraway career in journalism, she still clung gratefully to the place that had helped raise her.

But as Macy’s mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. Yes, much of the work that once supported the middle class had gone away, but that didn’t begin to cover the forces turning Urbana into a poorer and angrier place. Absenteeism soared in the schools and in the workplace as a mental health crisis gripped the small city. Some of her old friends now embraced conspiracies. In nearby Springfield, Macy watched as her ex-boyfriend—once the most liberal person she knew—became a lead voice of opposition against the Haitian immigrants, parroting false talking points throughout the 2024 presidential campaign.

This was not an assignment Beth Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the forty years since she’d left. The result is an astonishing book that, by taking us into the heart of one place, brings into focus our most urgent set of national issues.


Paper Girl is a gift of courage, empathy, and insight. Beth Macy has turned to face the darkness in her family and community, people she loves wholeheartedly, even the ones she sometimes struggles to like. And in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a signal fire of warning but also of hope.